The Music of Taverner
Identifieur interne : 000646 ( Main/Exploration ); précédent : 000645; suivant : 000647The Music of Taverner
Auteurs : Stephen ArnoldSource :
- Tempo [ 0040-2982 ] ; 1972-06.
Abstract
The newcomer to Peter Maxwell Davies's music may well be bewildered by a Stravinskian profusion of widely differing styles. Stravinsky's stylistic progress was at one time misunderstood and severely criticized; but as audiences grew increasingly familiar with the whole of his musical output, the consistency of his musical concerns became obvious. Perhaps because of the more sympathetic view of Stravinsky's music, Davies has been better understood in this respect, even though over the seventeen years or so of his acknowledged output, the disparities of style are at least as great as they were with Stravinsky.
Url:
DOI: 10.1017/S0040298200056795
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<front><div type="abstract" xml:lang="en">The newcomer to Peter Maxwell Davies's music may well be bewildered by a Stravinskian profusion of widely differing styles. Stravinsky's stylistic progress was at one time misunderstood and severely criticized; but as audiences grew increasingly familiar with the whole of his musical output, the consistency of his musical concerns became obvious. Perhaps because of the more sympathetic view of Stravinsky's music, Davies has been better understood in this respect, even though over the seventeen years or so of his acknowledged output, the disparities of style are at least as great as they were with Stravinsky.</div>
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